Soprano Diana Kirienko began her music studies at a very young age in her hometown Baku, Azerbaijan, showing from the very start a great sensitivity, natural talent, and a Deep love for the Art of Music.

ABOUT

Then she moved with her family to Russia, where she started the opera singing classes with Gianna Zupikova at the "Galina Vishnevskaya" College of Music and Performing Arts, and earning her Master's degree at the prestigious "Russian Gnesin Academy of Music" in Moscow, where she studied opera singing with Maestro Ariza Benin.

Later she moved in Italy to study Belcanto and further honed her singing skills at the Puccini Festival Academy and Conservatorio L.Boccherini where she obtained a Master’s degree in composition of music for immages and cinema, completing her high-level cultural education.

She is founder of Dharmonyagency, a talent agency, she collaborates with theatres and concert associations both as a singer and an agent.

Studuying with vocal coach Massimo Iannone, Finalist of international singing competitions, she also awarded a special mention at Italian festival Il Mercurio d'Argento 2024 as a composer.

Worked with italian conductors L.Quadrini, A.Colombini, G.Lanzetta and others, collaborated with Fondazione Pucciniana, Lucca Philharmonic Orchestra, Italian Cultural Associations, performed as a soloist with music of Puccini, Verdi, Mozart, Handel, Bellini, Donizetti on the stage at italian Theatres.

Teatro Pacini in Pescia, Italy

Teatro del Giglio in Lucca

Teatro Civico in La Spezia

Teatro di Grosseto

Performance
of Opera Works

What sets Diana apart is her meticulous attention to detail in interpreting the works of great composers. She immerses herself in the context of each piece, studying the historical background and the composer’s intentions.
This deep understanding informs her interpretations, enabling her to deliver performances that are both authentic and innovative.

Exceptional soprano with perfect pitch, approaches singing with a unique blend of artistry and technical precision.

Her voice possesses a remarkable clarity and warmth that captivates audiences, allowing her to convey deep emotions through her performances.

Exceptional soprano with perfect pitch, approaches singing with a unique blend of artistry and technical precision. Her voice possesses a remarkable clarity and warmth that captivates audiences, allowing her
to convey deep emotions through her performances.

Diana’s vocal technique is rooted
in a strong foundation of classical training, yet she constantly seeks to expand her artistic boundaries. She embraces the nuances of each character she portrays, bringing them to life with a dynamic range of expression. Her ability to effortlessly navigate complex arias showcases her technical prowess while maintaining an emotional connection with the audience.

In addition to her technical skills, her stage presence is enchanting. She engages with her audience, drawing them into the world of the opera. Her performances are not just about singing; they are a holistic experience that combines music, drama, and visual artistry.

Cantata 51, (Jauchzet Gott in allen Landem); Magnificat ; St John Passion

BACH

CONCERT Repertoire

HANDEL

Messiah; Salve regina; Silete Venti; Israel in Egypt

Heiligmesse St Nicolas Mass

HAYDN

MOZART

C Minor Mass Requiem; Kirie; Exsultate, Jubilate; Coronation Mass; Regina Coeli

Mass in C

BEETHOVEN

ROSSINI

Stabat Mater

Stabat Mater

SCHUBERT

MENDELSSOHN

Elijah

Requiem

VERDI

DVORAK

Requiem

Messe Sollenelle St. Cecile

GOUNOD

BRUCKNER

Te Deum

German Requiem

BRAHMS

PUCCINI

Salve Regina

Carmina Burana

ORFF

POULENC

Gloria

A Child of our Time

TIPPET

Arias from Operas;
Tosti Non t'amo più;
Sogno;
Ideale;
Tormento; Aprile;
A sera;
Marechiare;
Lasciami, Lascia ch'io respiri;
A vucchella;
In mare;
Malia;
La serenata;
Preghiera.

Oh! Quante volte;
Per pietà, bell'idol mio;
Torna, vezzosa Fillide;
Vaga luna che inargenti;
Ah!... Se una volta sola;
Almen se non poss'io;
Ah! non giunge;
Ma rendi pur contento;
Vanne, o rosa fortunata;
Torna, vezzosa Fillide.

bellini

Chamber Repertoire

Raсhmaninoff

Rimsky-Korsakov

I Believe, I am Loved; Rise,
O Red Sun, Not Low but High;
Softly the Spirit Flew up to Heaven;
Of What I Dream in the Quiet Night;
Not the Wind, Blowing from the Heights;
The Song of Songs;
Zuleika’s Song;
In Moment to Delight Devoted;
I Love Thee, Moon.

Francesca da Rimini op.25 - "O ne rydai, mai Paolo”;
Zdes horosho ор. 21 № 7;
One otvechali, ор. 21 № 4;
Margaritki ор. 38 № 3;
Hristos voskres, 26 № 6;
Vocalise, ор. 34 № 14;
Vesennie vodi, ор.14 № 11;
Siren’ ор.21 № 5;
Fontan ор.26 № 11;
Ya gdu tebya ор.14 № 1;
Two sacred songs.

Songs Op. 2, 3, 7, 19, 25, 26, 27, 40, 41, 42, 43;
The Nightingale Enslaved by the Rose;
My Voice for Thee is Sweet and Languid;
Hebrew Song;
The Secret;
In the Kingdom of Roses and Wine;
On the Hills of Georgia;
From My Tears;
I Believe, I am Loved;
Rise.

Ombra mai fu;
Dopo notte atra e funesta;
Arias from Operas.

Handel

Schubert

Ave Maria;
Der Tod und das Mädchen;
An Die Musik;
Die forelle;
Heidenroslein;
Gretchen am Spinnrade;
Nacht und Träume.

John Dowland

Come Again, sweet love doth now invite;
Now o now;
If My Complaints Could Passions Move;
What if I never speede?

Vado ma dove;
Arias from Operas.

Mozart

Schumann

Liederkreis, Op. 39: Mondnacht;
In der Fremde;
Widmung.

Mélodies Persanes, Opus 26 La Brise;
La Splendeur Vide;
La Solitaire;
Sabre en main;
Au cimetière;
Tournoiement: Songe d'opium.

Saint-Saëns

Air des clochettes;
Le Rossignol;
Les filles de Cadix.

Delibes

Leoncavallo

Mattinata;
Nuit de décembre;
Aprile.

Elgar

The Wind at Dawn; Pleading.

Bachianas Brasileiras No. 5;
Canção do amor;
Modinha;
Azulao;
Para Ninar;
Boi-Bumba.

Villa-Lobos, Ovalle, Barroso, Henrique

Hindustani Songs, Inayat Khan poetry.

Maheboob Khan

Be kind and courteous;
A Midsummer Night's Dream;
Calypso.

Britten

Gershwin

Summertime; Somebody Loves Me.

Tsarskoselskaya statuya.
(The statue at Tsarskoye Selo).

Tsarskoselskaya statuya. (The statue at Tsarskoye Selo).

Ne poy, krasavitsa, pri mne. (Do not sing to me, fair maiden);

Ya pomnyu chudnoye mgnoven'ye.
(I remember the wonderful moment);

Ya pomnyu chudnoye mgnoven'ye. (I remember the wonderful moment);

Ya zdes, Inezilya. (Here I am, Iñesilla).

Fontanu Bahchisaraiskogo dvortsa.

Asafiev

Romances composed on the Poems of Pushkin

Mikhail Glinka

Cesar Cui

Songs op.6, 16, 25, 27, 28б 103, 104, 105.

Tchaikovsky

Iolanta - Iolanta;

Tatiana - Eugeni Onegin.

Tamara - Demon.

Tchaikovsky

OPERA ROLES Repertoire

Rubenshtein

Handel

Cleopatra - Giulio Cesare.

Poppea - L'incoranazione di Poppea;

Euredica - Orfeo;

Penelopa - Il ritorno d'Ulisse in patria.

Monteverdi

Strauss

Salome - Salome.

Marschallin - Der Rosenkavalier;

Ariadne auf Naxos - Arianna a Naxos;

Agathe - Der Freischütz.

Carl Maria von Weber

Rossini

Semiramide - Semiramide;

Rosina.

Tosca - Tosca;

Turandot - Turandot;

Mimi - La Boheme;

Musetta - Musetta’s waltz, La Boheme;

Manon Lescout - Manon Lescout.

Suor Angelica - Suor Angelica;

Puccini

Donizetti

Anna Bolena - Anna Bolena;

Mimi - La Boheme;

Lucia di lammermoor - Lucia di lammermoor;

Maria Stuarda - Maria Stuarda;

Elettra - Idomenei;

Euredica - Orfeo;

Vitellia - La clemenza di Tito;

Queen of the Night - Die Zauberflute;

Pamina - Die Zauberflute;

Fiordiligi - Cosi fan tutti;

Susanna - Le nozze di Figaro;

Contessa - Le nozze di Figaro;

Donna Anna - Don Giovanni.

Mozart

With a voice that resonates with emotion and depth, she has portrayed iconic characters from operas that have stood the test of time. Each role is not just a performance; it is an exploration of the human experience, capturing the essence of love, despair, joy, and triumph.

Marguerite - Faust.

Gounod

Massenet

Manon - Manon.

Micaela - Carmen.

Bizet

Cilea

Adreana Lecouvrer -Adreana Lecouvrer.

Elvira - I Puritani;
Norma - Norma;
Amina - La sonnambula.

Bellini

Singing and characters

Every aria, every note carries within it a story of love, longing, joy, or despair, and it is her privilege to breathe life into these emotions, as well as reveal new aspects and facets of the character. As an opera singer, Diana approaches each piece with a deep sense of unique interpretation, passion, reverence, and connection.

highlights

The life of an opera singer is a captivating journey filled with passion, dedication, and unforgettable experiences. After years of rigorous training in music and vocal techniques, Diana emerged not only as a talented artist but also as a storyteller who brings characters to life through her powerful voice.

Throughout her journey, she encountered remarkable individuals from the world of art and music. Renowned conductors, celebrated composers, and fellow singers became her mentors and friends. Their wisdom and encouragement shaped her artistry, while the camaraderie they shared fostered a sense of belonging in the vibrant community of opera.

partnership

Through music and opera singing, we can unite and fill the hearts of people with beauty and harmony. Music has a unique power to transcend boundaries, connecting individuals from different backgrounds and cultures. When we come together in song, we create a shared experience that resonates deeply within us, evoking emotions and inspiring hope.

Music, with its rich narratives and powerful melodies, serves as a reminder of our shared humanity. Each note sung and every lyric expressed carries the potential to uplift spirits and foster understanding. In a world that often feels divided, our collective passion for music can bridge gaps and bring joy to those who need it most.

Let us embrace the transformative power of music and opera, using it as a means to spread love, compassion, and unity. Together, we can create a symphony of voices that celebrates the beauty of life and the harmony that exists within us all.

We are happy to collaborate with wonderful people and organizations from the World of, Music, Opera singing and true Art.